[ Update: On March 19, 2019, Apple released updates to both 21.5″ and 27″ iMacs. These new systems feature improved CPU and GPU options, though the display and storage remain the same as earlier versions. I’ve reflected these new options in my recommendations below. ]
At their WWDC, in June, 2017, Apple announced and released new iMac computers, designed to meet the needs of professionals. These new systems sport a variety of very exciting features. However, if you are on a budget, how do you determine where to spend your money?
This article is designed to help you make more informed choices when you don’t have a lot of money to spend.
Apple iMac (27″ Retina 5K display, 3.4GHz quad-core Intel Core i5, 8GB RAM, 1TB) View Prices! This is why the best iMac for video editing will offer optimal value for your unique video editing tasks. With such a computer, you can be sure of powerful processing speeds, spacious hard. I do professional video editing using FCP X on a 2013 iMac 27, i7@3.5Ghz, 32GB, 4GB GTX-780M, 3TB Fusion Drive, and it works fine. I have most of my media files on a 6TB Pegasus R4 in RAID 5, but for smaller projects I've tried putting them on the FD, and it still works OK. If anything could use improvement, it's the CPU not the.
- Editor's Choice. The Apple 27-inch iMac with 5K Retina display is a must for photo and video editors, thanks to its stunning display and potent performance, but it's also a great.
- First things first, you need to select your screen size. IMacs come in two flavors: 21.5-inch, and 27-inch. As you might expect, for serious editing, the 27-incher is the way to go. The extra room gives you luxurious space for both your image and the various editing palettes around it.
NOTE: I have not purchased any of these systems. My recommendations are based on past experience, current system specs and talking with informed individuals.
EXECUTIVE SUMMARY
If money is no object, buy the top of the line iMac. It will work great and you’ll have bragging rights over all the other systems.
But, if money IS an object, then you need to make trade-offs, balancing the performance you need with the money you have. However, you don’t need to spend a fortune to get a system today that can meet your editing needs for the next several years.
ALSO: Here are two other configuration articles you may find useful:
- Configure an iMac Pro for video editing
- Configure a MacBook Pro for video editing
YES, BUT WHAT ABOUT THE IMAC PRO?
Holy smokes! What a system.
This review covers the iMac. Click here to read about the iMac Pro.
YES, BUT WHAT ABOUT THE MAC PRO?
Given the latest iMac releases, there are very, very few reasons to purchase a Mac Pro right now; especially given its price. Keep in mind, however, that Apple has already announced they are working on a new, top-of-the-line Mac Pro which will ship sometime in 2019.
Given what Apple has announced for the iMac Pro, however, that upcoming Mac Pro will need to be a true screamer to compete. I’m looking forward to seeing what Apple creates – but, as I mentioned earlier, I still need to pay my bills today.
And that leads us directly to the latest updates to the iMac.
WHAT SIZE SCREEN?
Both Final Cut Pro X and Premiere interfaces work best on larger screens. This is not to say they work poorly on smaller screens, but both of these display a LOT of elements on screen. More screen room is MUCH better.
I recommend a 27″ display. Plus, all the new 27″ iMacs now share the same 5K Retina Display.
NOTE: One of my iMacs is an older 5K iMac. I’ve discovered, that while seeing a 5K image is nice, the on-screen text is often very hard to read. So I’ve lowered the screen resolution using System Preferences to make the text larger. I prefer to easily read the text to seeing every pixel in my image.
However, if the purpose of the new system is video compression, you don’t need the bigger screen size. In which case, you can save money and improve performance with a 21″ system.
NOTE: Both H.264 and the up-coming H.265 video codecs are hardware-accelerated in all the new hardware. While this won’t help when transcoding into ProRes, hardware-acceleration will significantly speed compressing files for the web.
Imac Pro For Video Editing
WHAT SPEED CPU?
UPDATE Intel’s latest 8th-gen and 9th-gen Core processors, including up to a 3.2GHz six-core 8th-gen Core i7 with Turbo Boost up to 4.6GHz for the 21.5-inch 4K iMac and up to a 3.6GHz eight-core 9th-gen Core i9 with Turbo Boost up to 5.0GHz for the 27-inch 5K iMac.
While CPU speed is important, it is not critical for video editing; remember, iMacs that were current as recently as last month, were easily able to edit almost all forms of SD, HD, and 4K media.
Any of the processors in any of the new iMacs will be fine for video or audio editing.
UPDATE: The choice in the 21.5″ iMac is between i5 and i7. The i7 is worth the money because of its support for multi-threading. The choice in the 27″ iMac is harder: between i5 and i9, because it’s a $500 differential. Unlike the i5, the i9 supports multithreading. If you are doing multicam, 4K or HDR editing, or lots of video compression, the i9 is worth the money.
Best Mac For Video Editing
HOW MUCH STORAGE?
I really like that Apple has put Fusion drives into all but two of their iMacs. I own two iMacs with Fusion drives and I remain very impressed with these systems. They are an excellent balance between the speed of an SSD with the storage capacity of spinning media.
Keep in mind that the SSD portion of a Fusion drive is only a part of the total storage. For example, the 1 TB Fusion uses a 32 GB SSD, while the 2 and 3 TB Fusion drives use a 128 GB SSD. The OS watches what you do and moves files onto the SSD based upon what you are using most. Which means that a Fusion drive works fastest with files you access over and over.
NOTE: Here is an updated article on storage speeds and media requirements that explains the load your storage system needs to carry.
If you want maximum performance AND you plan to store media on an external drive, get the 512 GB SSD. All the files in macOS will take less than 30 GB, leaving plenty of room for working files and immediate storage.
If you want an excellent balance between performance, price and capacity, stay with the 1 TB Fusion drive. Again, store media externally.
If you don’t plan to purchase external storage – and you will, you just don’t know it yet – get the 3 TB Fusion drive. (An extra TB for $100 makes this a better value than the 2 TB Fusion drive.)
One of my systems has a 3 TB Fusion drive. Currently, I’m using 600 GB of it. The rest is sitting around idle. When using external storage, you really don’t need lots of internal storage.
If you just want maximum performance from your storage, get the 1 TB SSD. It’s pricey, but it’s speed will make you giggle.
Apple notes: “For the best performance, iMac systems with 32GB or more of memory should be configured with a 2TB or larger Fusion Drive or all-SSD storage.”
NOTE: Apple’s marketing materials now define a terabyte as one trillion bytes. This means that when a disk is formatted, its storage capacity will be less than 1 TB because of the differences between how marketing and engineering calculate disk sizes.
WHICH GPU?
Configuring the GPU (Graphics Processing Unit) is now done when you pick the initial iMac, rather than as a build-to-order option within each iMac family. So, much though I would like to pick the mid-range system and add a high-end GPU into it, we no longer have that option.
Which is a shame. Because while we don’t need the high-end CPU system for most video editing, we would significantly benefit from the high-end 580 GPU in any system.
Both Final Cut and Premiere are increasingly using the GPU for most editing tasks, because the GPU is much faster than the CPU at rendering bitmapped images. Therefore, the best choice is the high-end GPU. The high-end GPU also includes 8 GB of video memory (VRAM).
However, the mid-range system with the Radeon Pro 575X is a perfectly adequate choice.
NOTE: The difference between the 575X and 580X is performance. The 575X has a peak performance of about 4.5 Teraflops, while the 580X supports up to 5.5 Tflops. Both will handle video just fine. All of the Radeon chips support OpenCL and Apple’s Metal and up-coming Metal 2 GPU computing API.
Here’s a link to learn more about Radeon’s GPU chips.
NOTE: Again, if you are principally doing video compression, the GPU speed is less important than the CPU speed. So, compressionists don’t need as high-performance a GPU as an editor.
UPDATE: When looking at GPU performance, use the specs for Metal or Metal II. OpenCL will not be supported going forward. Also, while eGPUs are attractive, I don’t see them, yet, as a big enough benefit for iMacs. eGPUs are principally designed for laptops.
HOW MUCH RAM?
Both Final Cut and Premiere will use as much RAM as you can afford.
Based on my tests with the 2016 MacBook Pro, I recommend a minimum of 16 GB of RAM, though, all my systems here have 32 GB. Again, if you have the money, max out the RAM. However, 32 GB of RAM will be sufficient for virtually all projects.
HOW MUCH SHOULD I SPEND?
You are going to be using this computer for four years. Spend what you can afford, but don’t be stingy in areas that matter: GPU and RAM.
All the base systems are fine, But, depending upon your needs, you can tweak the configurations to better match what you want the systems to do. All systems feature wireless mice and keyboards; though, in my office, I prefer my mice and keyboards wired.
Apple Imac Video Editing
NOTE: Apple has not yet delivered the Touch Bar on any stand-alone keyboards.
If it were my money and I was doing video editing on a budget, here’s what I would get:
- 27″ Retina 5K Display
- 3.6GHz 8-core 9th-generation Intel Core i9 processor, Turbo Boost up to 5.0GHz
- (Includes the Radeon 575X GPU)
- 8 GB of RAM (buy a 32 GB RAM upgrade from a 3rd party)
- 1 TB Fusion drive
- Keyboard and mouse to suit
Total: $2,499 (you’ll still need to spend additional money for 3rd-party RAM)
Imac Video Editor
However, I wish that Apple made the Radeon 580X available on the mid-range unit.
If it were my money and I was doing mostly video compression, I’d get the high-end Mac mini. (This, in fact, is what I did personally.) Here’s an article that explains this in more detail.
As always, I’m interested in your opinions.
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